笔仙怪谈
剧情简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。《恐怖异人馆》剧情简介：一个四口之家假期要去一个偏远的小镇游玩，结果在游玩时到了一家旅店碰到了一群由畸形怪物和人造电子改造人组成的嗜血家庭，四口之家除“蒂娜”外全部被杀，蒂娜因为被大脑怪所追求而没被杀死，她现在必须想办法逃出这个可怕的地方来为死去的家人复仇。 文/灵魂在线。A womanizing husband inadvertently falls back in love with his wife over the phone when she pretends to be another woman...。
